Radial 56:14 is an installation that uses audio transducers to turn large wood and metal sculptures into suspended, vibrating speakers. The low sine tones that pulse through each piece are individually guided into (and away from) the resonant frequencies of the wood. Metal rods protruding from each piece of wood are affixed with sizzles that sympathetically pulsate when a node point is reached at their attaching point—thereby creating complex spectrum of high overtones. The 7 pieces, whose size, design, and position in three-dimensional space are carefully calculated to be parts of a whole, give off the illusion that they are rotating along continuous, spiraling line.